NOVELETTE VARIATION
E.
& H.T. Anthony & Company, New York 1886-1901
This 5x8 Anthony
Novelette Variation was
converted to 5x7, and displays other modifications which may or may not be
factory.
The most apparent feature is the shape of the lens
standard which differs from the square and oval shapes typically seen. Although various models of the
Novel/Novelette were made between 1886-1901, I have never encountered this style
lens standard. It is similar to the shape seen in factory engravings for the
Fairy Camera (stereo version), although I have never seen a Fairy with other
than a square or oval-shaped lens board:
From
E. & H.T. Anthony's Illustrated Catalogue, January, 1891
From
E. & H.T. Anthony's Illustrated Catalogue, January, 1891
The lens board appears factory original, constructed of
the same wood as found on the rear frame. The bed frame at rear is stamped in
typical Anthony fashion "E. & H.T. Anthony & Co., N.Y." with
patents March 28, 1882 and February 20, 1883. The base of the lens standard also
contains an additional section of wood forward of the typical Novelette's bed
frame, displaying decorative curves.
Some of the camera's nickel fittings differ from those
seen on other Novelettes, such as the lens board retainers. The original hinged
ground glass focusing screen was removed, having been replaced with a black
painted aluminum frame. This frame allows
use of a removable ground glass screen and plate holders, similar to those found
on the Blair Hawk-Eye Detective, Rochester Optical Premier and the Folding
(Satchel) Kodak. While neatly done, this modification doesn't appear original,
unless the camera was a factory test bed.
The lens, an A. Laverne, Paris No. 67, Serial No. 99404
marketed by C.H. Codman & Company, has an odd barrel extension similar to
those found on magic lantern lenses.
However, it has a factory configured Waterhouse stop slot, which is not
seen on lantern and projection lenses. And, for whatever reason, the mounting
flange was placed on the rear of the lens board.
Despite the changes noted and missing its wood finials,
the camera is a Novelette through and through, with swing and tilt, rotating
bellows and rear frame, and being notched for stereo work. Maybe some of the modifications were done
from a marketing standpoint to distinguish (or to private brand) this model from
Anthony's standard line. Beyond that, the camera's back was probably modified to
the owner's personal preference or to facilitate ease of use.